Rewind picks the stock, the camera, and the look — hidden until it develops, like film back from the lab.
24 frames. The grab-bag — a different camera and film stock behind every shot, revealed only when it's back.
Pure, clean color or black & white. The roll runs through twice — every frame a double exposure.
Half-frame. 48 shots, paired two to a wide frame.
A fine-art roll where every one of the 24 frames comes back an extreme, one-of-a-kind render. Chosen, not random.
24 frames shot on toy and disposable cameras, then run through the one-hour drugstore lab. Soft plastic-lens focus, grain, and the odd happy accident — a miscut, a light leak, a color the machine got wrong.
The film stock and the camera are assigned when it develops — never before, and never by you.
A real camera. You frame, you focus, you set the exposure. Rewind decides the film, the camera character, and the look. Members can load up to three cameras and catch one moment on all of them at once.
The roll develops in the background — about ninety seconds, ten for members. We'll tell you when it's back. No peeking.
The contact sheet reveals every frame at once. All of it a surprise.
Favorite the ones you love into your Gallery. No retakes, no deleting a frame — the roll is the roll.
It looks simple on purpose. Underneath is a real camera and a lot of quiet craft — so every frame comes back feeling made, not filtered.
Focus, exposure, and flash are all in your hands. The film and the look are the only things you don't touch.
When a frame goes soft, it's true lens blur — the kind good glass gives you, never a cheap fake.
Grain, glow, and light leaks that take their color from the light you were standing in. Every frame comes back its own.
The one thing you can touch after the fact: push or pull the development, warm or cool the print, print it lighter or darker. Chemistry decisions — never a filter.
27 film stocks and 27 cameras, each with a character of its own — and a roll's look holds true every time you come back to it.
A members-only switch that lets the film fall apart on purpose. Flip it on and every frame of the roll comes back afflicted, no two the same — light leaks, chemical soup, colour that fringes and spreads, solarized light, and stranger things stacked on top of each other. For when you want the roll to come back beautifully wrong.
A new photo from the community, every day. Submit a frame from the app with your Instagram handle. We curate the best — and if yours is featured, it goes up on the gallery and our Instagram, credited to you, with a permanent Featured ✦ mark on that frame in your app. The film, the camera, and the look still decide the picture. You just press the shutter.
No. You drive the camera — Rewind chooses the film, the camera, and the look, revealed only when the roll develops.
Film develops. The roll spends about ninety seconds in the tank — ten for Rewind+ members. Then your roll is back.
No retakes, no deleting a single frame. You can let a whole developed roll go, but the frame is the frame.
Yes. Everything develops on your device and no photo leaves your phone — unless you choose to submit one to be featured.
Free: one CLASSIC COLOR roll every month. Rewind+ ($5.99/mo) unlocks unlimited film, ten-second develop, the member-only rolls (CLASSIC BW, DX COLOR, HF COLOR & BW, and CHAOS), the Film of the Month, and up to three loaded cameras you can fire all at once. You never pick the stock — only the kind of roll.
Not like a filter app. Rewind owns the look. The only thing you can touch is the darkroom — push or pull the development, warm or cool the print, print it lighter or darker. Chemistry decisions, and you can always reset them. You can also crop and add a border.
A fine-art roll where every one of its 24 frames comes back an extreme, one-of-a-kind render. Chosen, not random.